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The FDR-1 from BOSS, in conjunction with Fender, brings you the sound of the 1965-era Fender Deluxe Reverb, known for its responsive, overdriven sound. Level, gain, treble, bass, vibrato, and reverb controls controls let you fine-tune your sound. The FDR-1 can also be used as a pre-gain pedal, being placed before an amp that's already overdriven to add the Deluxe Reverb tone to it.

The Katana-50 MkII Combo Amplifier from BOSS is designed to provide you with gig-ready rock tones while minimizing your reliance on a pedalboard, packing more features, tones, and effects than its predecessor. The amp offers 50W into a 1x12" speaker cabinet, making it suitable for use in small venues and practicing at home.

The Katana-100 MkII Combo Amplifier from BOSS is designed to provide you with gig-ready rock tones while minimizing your reliance on a pedalboard and packing more features, tones, and effects in than its predecessor. The amp offers 100W into a 1x12" speaker cabinet, making it suitable for use in small venues and practicing at home.

A partnership between two well-known pedal manufacturers, the BOSS JHS JB-2 Angry Driver packs the respective tones and characters of the BOSS BD-2 Blues Driver and the JHS Angry Charlie into one pedal. Usable in parallel, serial, or individually selectable modes, guitarists can now access—and combine—the sonic signatures of the Blues Driver and the aggressive, rocky tones of the Angry Charlie. The pedal has been issued in the recognizable BOSS compact-housing design.

Weighing just under 3 lb, the BOSS GT-1B is an effects processor chockfull of processing tools for electric bass housed in a relatively lightweight enclosure. Users of BOSS multi-effects products will recall the GT-10B; a wide array of preamps offered in that unit have been updated and retooled for this effects processor, and two models new to the lineup have been added. Limiting, distortion, graphic EQ, and more are offered, as are creative processors such as Harmonist, Bass Synth, Defretter, and more. All in all, the pedal sports 90 effects types, giving you 99 preset patches and 99 user patches for tweaking your timbre.

With 12 minutes of stereo recording time, the RC-1 Loop Station Pedal from BOSS is small enough to fit on a pedalboard, even when used with an optional external footswitch such as the FS-5U, FS-6 or FS-7 (sold separately), which can be used as an additional control to easily undo/redo phrases or stop recording/overdubbing/playback.The RC-1 is equipped with dual in/out jacks for use with stereo effects, stereo amps, or dual-amp setups, as well as to connect stereo instruments such as keyboards. Using a single footswitch and knob, the RC-1 is straightforward and easy to operate for the player that is just getting into looping. It can be used to create a basic backing track for practice or to jam along with or to layer complex phrases for luscious arrangements. Whether you're a beginner or a touring professional, the RC-1 is an ideal tool for any guitarist, bassist or keyboardist.  

Bring your floor-based looping to new heights onstage and in the studio with the Boss RC-600 Loop Station. This advanced looper puts six simultaneous stereo tracks at your disposal and offers mic and line inputs, 32-bit audio quality, nine assignable footswitches, three pedal modes, a wide variety of FX, and even a rhythm machine—all in a durable metal chassis.

Boss has revamped their RC-505MK2 Loop Station to add impressive dynamic range to the mix as well as extended looping time and more rhythmic support from its onboard processors. Let's examine what the Loop Station is before we get into the updates: the RC-505MK2 is a live performance tool for loop artists, housed in a compact tabletop enclosure. It provides easy fingertip control of five stereo phrase tracks and various loop playback behaviors, while a choice of input and track effects deliver a wide range of real-time processing options.