If you love the look and feel of your traditional acoustic bass drum, the Roland KD-A22 Kick Drum Converter lets you incorporate it into your V-Drums setup. This new trigger package fits to a standard 22-inch acoustic bass drum, giving you striking stage presence and acoustic-style feel thanks to Roland’s innovative air-damping mechanics working alongside the deep drum shell. The package includes everything you need to convert your 22-inch bass drum*—a front head, a batter head with a kick-pad sensor unit, a 22-inch metal hoop, and shock-absorbing cushions. The KD-A22 provides stable, consistent, and accurate triggering for your setup, and is fully compatible with double kick pedals.
The KC-600 Stereo Mixing 4-Channel Keyboard Amplifier from Roland features 200W output power, four line-input channels, a dedicated auxiliary input, and support for an XLR vocal mic. Paired with the built-in 15" woofer and horn tweeter, the keyboard amplifier can be used by musicians and producers to amplify pianos, organs, synthesizers, rhythm machines, and other electronic instruments.
The KC-400 Stereo Mixing 4-Channel Keyboard Amplifier from Roland features 150W output power, four line-input channels, a dedicated auxiliary input, and support for an XLR vocal mic. Paired with the built-in 12" woofer and horn tweeter, the keyboard amplifier can be used by musicians and producers to amplify pianos, organs, synthesizers, rhythm machines, and other electronic instruments.
The Roland KD-140 V-Kick Trigger Pad utilizes an over-sized 14" mesh head mounted to a heavy-duty metal frame with heavy-duty spurs for accurate tracking and stability at any dynamic level.
Put 21 different reverb effects under your feet with the BOSS RV-500 pedal, intended primarily for electric guitar. Rooms, halls, plates, springs, it’s all here, alongside more esoteric processes, such as octavized shimmering, as well as the characterful Lo-Fi, Slowverb, and Storm. Classic Roland units have also been emulated, such as Space Echo (the RE-201), and SRV, based on the SRV-2000, a popular unit in the 1980s. The RV-500 provides its sound using 32-bit AD/DA conversion, 32-bit floating-point processing, and sampling rates of 96 kHz.With a panoply of parameters in every effects type, you’ll be able to control your tone to an extensive and deep degree. In addition to dedicated panel knobs for pre-delay, effect level, and tone, you’ll also be able to perform extensive editing via the LCD screen and quadrumvirate of push-buttons. A tap tempo/control footswitch offers more in the way of on-the-fly manipulation. A and B footswitches not only provide bank selection tools—they also give you the ability to engage two reverb as once in a variety of modes (series, parallel, and parallel to different amps/destinations come to mind).
The Boss Synth SY-1000 is a guitar synth that offers you a massive array of tones. Utilizing 48 kHz / 32-Bit signal processing throughout its AD/DA path, the pedalboard gives you the ability to craft three custom instruments at once. Model electric, acoustic, and bass guitars, or create massive synth patches. Each instrument has two built-in, deeply customizable step sequencers for creating dynamic, moving, breathing parts.
The KC-990 Stereo Mixing Keyboard Amplifier with Effects from Roland features 320W of output power, four line-input channels, a dedicated auxiliary input, and support for an XLR vocal mic. Paired with two built-in 12" woofers and two horn tweeters, the keyboard amplifier can be used by musicians and producers to amplify pianos, organs, synthesizers, rhythm machines, and other electronic instruments. The KC-990's cabinet provides extended low-frequency response without distortion. There is an auxiliary channel with 1/8" and RCA inputs for connecting smartphones, music players, or other devices. Channel 1 also includes an XLR input, allowing you to plug in a vocal mic for even more versatility.
The KC-80 3-Channel, Mixing Keyboard Amplifier from Roland features 50W output power, three line-input channels, a dedicated auxiliary input, and support for an XLR vocal mic. Paired with the built-in 10" woofer, the keyboard amplifier can be used by musicians and producers to amplify pianos, organs, synthesizers, rhythm machines, and other electronic instruments.
The black KPD-90 from Roland is a three-pedal unit for the FP-60, FP-60X, FP-90, and FP-90X digital pianos, which adds sustain, sostenuto, and soft control—functionality that is commonly found on grand pianos.
Digital technology meets artisan tradition in the new KIYOLA KF-10. Created in collaboration between Roland and Japanese furniture designer Karimoku, this refined digital piano achieves a perfect harmony of form and function: a powerful instrument that makes a sophisticated statement in your home. With its model name translating as ‘elegance and beauty’, the KIYOLA KF-10 is visually unique in the modern piano market, offering an all-natural, hand-crafted wood cabinet that complements your living space and lifestyle. Meanwhile, the presence of Roland’s innovative digital piano technology delivers the performance you demand as a player, with flagship features including SuperNATURAL Piano sound modelling, dynamic sensing technology via the new PHA-50 keyboard, wireless Bluetooth® connectivity to your favorite music-making apps and a dynamic array of speakers that fill your home with sound. Available in a Walnut or Pure Oak finish, with a foot pedal and ergonomically designed piano bench included, the KIYOLA KF-10 is a digital piano to both admire and enjoy.
The highly portable Roland MC-101 is smaller brethren of the latest flagship groove box, the MC-707, but in a pint-sized package that operates on batteries. The unit features four tracks of recording, sequencing, synthesis, sample-playback, and effects, plus a curated palette of sounds, loops, and phrases. Import loops and sequence MIDI with deep control over timing, while tweaking faders and knobs for the ultimate "in-the-moment" experience.
The portable Roland GO:KEYS is a user-friendly music-creation keyboard for beginners and aspiring musicians. With its 10 performance pads, Bluetooth connectivity, song recorder, and innovative Loop Mix function, it allows anyone to build polished songs in real time, even with no previous music experience—straight out of the box.
Don't fall victim to poor audio quality with your otherwise snazzy smartphone media—instead, get yourself the Roland GO:MIXER PRO-X to ensure your mobile-based music videos, podcasts, and livestreams sound as good as possible. This is a compact audio mixer that connects to nearly any kind of mobile phone and fits in the palm of your hand. Use it for concerts, live video posting, and more.
The MS-3 from BOSS is a multi-effects switcher designed for electric guitar and bass. It combines the switching aspects of a multi-pedal switcher (so that you can turn whole effects-chains on and off with one footswitch) with a multi-effects engine equipped with BOSS processing, such as distortion, chorus, flanging, and more. With this pedal, you can activate and control six built-in pedal effects alongside—and woven between—three external pedals.
Designed to take up a small amount of space and deliver a large assortment of effects and tones, the GT-1 from BOSS is a multi-effects pedal driven by its GT-series engine, which gives you access to the textures and tonal qualities of BOSS's notable effects, amplifiers, and more. With its intuitive controls for creating, editing, and triggering parameters, the pedal is suitable for electric guitar players operating in many disparate genres of music. The pedal features dual outputs, should you wish to route your signal in a stereo plane, and allows you to connect to BOSS Tone Central, where you can download free effects patches and editing software. It's relatively lightweight at 2.9 lb, and only a foot long from end to end.
The GR-55 Guitar Synthesizer with GK-3 Pickup from Roland is a fast reacting and accurate guitar synthesizer for use with the included GK3 pickup attached to any type of electric guitar. Guitars are not normally thought of as synthesizer controllers, but the company has been pursuing this concept for many years. When paired with the GK-3 pickup, any electric guitar can trigger the sounds of the tone module with imperceptible latency, a huge consideration when playing live. Pitch detection is also very accurate.